American Fiction Database. Rare Books Room, Ohio State University Libraries, Columbus. Researchers with access to the MLAIB (G335) database can establish extra interviews. Banning and McCann uncover that the pretend Monet is in actual fact an professional forgery that might only have been painted by someone with entry to the unique; they visit the likeliest forger, Heinrich Knutzhorn, in prison, to no avail, though his physique language suggests to them that he acknowledges the work. Despite the incomplete annotation, this work offers the fullest record of scholarship on the musical and is particularly useful for its international protection of scholarship. Coverage is selective-an excessive amount of so for main playwrights-and limited to English-language publications, and a few contributors are cryptic or insufficiently rigorous in assessing secondary works; yet, American Playwrights presents a handy introduction to the status of and scholarship on a number of contemporary dramatists and is especially precious for its numerous solutions for additional research. Carpenter, Modern Drama Scholarship and Criticism, 1966-1980 (M2875). “Annual Review,” Journal of Modern Literature (M2780). “Current Bibliography,” Twentieth Century Literature (M2790a). Chielens, American Literary Magazines: The Twentieth Century (Q3410).
Notable Names within the American Theatre. PN2277.N5 L36 792.9′5′097471. All are online by North American Theatre Online (Q3512). 016.812′54′09. Online through North American Theatre Online (Q3512). Most works in sections L: Genres/Drama and Theater and Q: American Literature/General/Genres/Drama and Theater are helpful for analysis in twentieth-century American drama and theater. Gavin, Christy. American Women Playwrights, 1964-1989: A Research Guide and Annotated Bibliography. Harris, Richard H. Modern Drama in America and England, 1950-1970: A Guide to Information Sources. A selective guide to scholarship (principally in English and published before c. Scholarship on literary materials in nonliterary periodicals is listed in an appendix. A group of separately authored bibliographic essays on 40 playwrights who have written for the American stage since 1945. Each essay consists of six parts: a short overview of the playwright’s important reputation, achievements, and necessary contributions to American theater; a labeled listing of published and unpublished major works (together with interviews); a history of productions and their crucial reception; an evaluative survey of scholarship and criticism (with separate sections for bibliographies, biographies, supply studies, basic research, and analyses of particular person plays); suggestions for additional analysis; and a checklist of all sources cited in the essay.
A critical historical past of American fiction that emphasizes its relationship to modernism and favors experimental works (in 1940-1980) and its reflection of “a cultural mosaic of so many conflicting ideas and efforts” that precludes any sense of route or judgment of achievement (in 1980-2000). Indexed by persons, titles, and topics in the first installment; by individuals only in the second. The primary division consists of inadequately annotated lists of references works (including common historical and demanding research), normal works on the novel (with sections for history and criticism, sorts, themes, and regionalism), research of the quick story, and collections of interviews. Concludes with a selected bibliography and 10 appendixes: chronological calendar of productions, with length of run; classified lists by genre, topic, and language (however confusingly organized by subcategories); awards; sources of performs; institutional theaters, with a listing of plays produced; overseas corporations and stars; longest working reveals; critics cited; seasonal statistics; theaters. A description of Broadway and off-Broadway performs (as well as overseas language and ethnic theater productions reviewed within the English-language press) staged from mid-June 1920 by means of the tip of May 1950. Productions are organized alphabetically by title. Two indexes: individuals; titles of performs and screenplays.
Entries are organized in two divisions: normal works and particular person authors. Histories and general studies are surveyed in Jackson R. Bryer and Ruth M. Alvarez, “American Drama, 1918-1940: A Survey of Research and Criticism,” American Quarterly 30.Three (1978): 298-330, and C. W. E. Bigsby, “Drama as Cultural Sign: American Dramatic Criticism,” 331-57; these are up to date by Mark W. Estrin, “The American Drama 1900-1940: Areas of Recent Scholarly Achievement and critical Neglect,” Resources for American Literary Study 17.1 (1990): 35-49, and Thomas P. Adler, “American Dramatic Scholarship, 1940-Present: The Contours and some Items for an Agenda,” 51-sixty one (both with helpful suggestions for future research). A majority of the contributors are frank of their evaluations however seldom provide solutions for further analysis and don’t present full publication data for articles. She, like others, are involved sex staff might be pressured underground as a result of they could have to satisfy shoppers in remote places; be prevented from hiring support employees (equivalent to drivers) and correctly screening purchasers.